
I Don't Hear a Single
Raised On TV reach their fifth album and still manage to sound as fresh and enthusiastic as a new band with their debut album. Los Angeles's Keaton Rogers and Kacey Greenwood are awash with a California Sun Sound, yet sound so Brit. Everything is so damned catchy.
Rogers's vocal still sounds so 80s UK, wonderfully gentle, a little Manc maybe complimenting songs that are the Guitar Pop side of Indie Rock that equally fit the commercial current Indie sound enough to build a wide audience, but will also appeal to the older Power Pop fans.
Yet Make Time To Make Time opens the album with a great Indie Pop example that sounds so 80s. Just Wanted To Tell You is a cracking slice of Upbeat Pop, but from then on, the album is a riff led joy, wonderfully so.
Back In The Sun battles to be the album's best song, but the quality overall makes this a hard task. The song is all Brit Pop, summer sounding with its frantic riff, yet still sounds a little California Surf, no main feat.
Waiting On A Girl is all Glasgow Jangle, Story Without An End enters Lightning Seeds territory with a particularly effective arrangement whilst Road Dogs picks up the pace and adds an urgent Fuzz. The Wonder Of Things cries out for a Boyband cover yet still adds another addictive riff.
The ability to say what you want to say and then get off helps the album enormously. In the wrong hands, songs would be extended by a minute with repeated choruses. Make Time To Make Time is a joyous celebration of harmony and melody that allows the songs to become earworms and that is a great thing.
The Big Takeover
Make Time to Make Time is that rarest of things, an album full of great songs. I’m not saying that quite every song would make it out there in the big wild world as a single in its own right, but this is certainly an album with a higher percentage of single standard material than any I have heard in a long time.
Hang on, I hear you say, I have loads of albums in my collection like that! Have you? Have you really? Go back and listen again with a more objective ear, and I’m sure you will find that the pop songs are full of studio gimmicks and dance routine-inspiring grooves, the indie albums full of cool but pointless sonic moves, the rock records mainly bluster and bravado. No, I’m sticking with my opening argument; this is contemporary songwriting of the indie/alt-rock interface at its finest.
And the album covers a lot of ground too, from the folk-pop infused, understated sound of “Wonder of Things” to the foot-on-the-monitor scuzzy garage rock fuzz of “Road Dogs” and from the shimmering power-pop of “Back In the Sun” to the singer-songwriter vibe of “Waiting on a Girl.”
There’s pop accessibility, rock drive, indie swagger, light-fingered deftness, robust groove, beauty and bravado, melody and muscle, groove and grit.
All killer, no filler? Pretty much!
Mystic Sons
Over these last few years, LA's Raised On TV have established themselves as one of the more dynamic names doing the rounds right now. Brimming with this electric flair for glossy indie-pop delights has earned them countless praise and acclaim, resulting in a catalogue brimming with fresh and enjoyable anthems at every turn. And after last year's 'Strangers In Pictures' continued their upward ascent, they are already back on the grind to deliver their vibrant new studio album 'Make Time To Make Time', a record brimming with more of that uplifting aesthetic we love them for.
Featuring the previously shared outings 'Just Wanted To Tell You', 'Road Dogs', 'The Wind And The Sea' and 'Take Me Home', this new nine-track collection makes for a dazzling return to form for the pair. Bringing back more of that kinetic energy they have always looked to inject into everything they produce, 'Make Time To Make Time' is another impactful addition to their already tantalising direction to date. With this heady mix of killer guitar hooks and soaring choruses from start to finish, they are returning to the fold with one of their most anthemic releases so far.
It may have arrived after only one year since their previous LP, but 'Make Time To Make Time' shows they are still brimming with plenty of fresh innovation at every turn. Keeping the vibes high and the pace ever moving forward, Raised On TV continue to shine as one of the more enticing names on the scene today.
Cheers to the Vikings
If you’re a fan of indie rock music, Raised on TV’s new album “Make Time to Make Time” is sure to be a hit as soon as you press play. This album is packed with tracks that make it hard to pick a favorite because each song offers something unique. The instrumentals are well crafted and the production is creative, solid and professional.
The energy throughout the album is amazing with catchy and powerful vocals that are easy to listen to. The songwriting shines brightly showcasing a great level of creativity and passion. The guitars and drums are particularly impressive delivering catchy and memorable melodies that stick with you. What sets this band apart is their unique sound and the quality of their work. They put a lot of emphasis and passion into their music making each track feel special. As a long-time fan of indie rock, this album truly resonates with me. I highly recommend listening to the full album from start to finish to get the best experience possible.
You! Me! Dancing!
Raised On TV is an indie rock duo from Los Angeles formed by brothers Keaton Rogers and Kacey Greenwood who have been active since 2017 and have just released Make Time to Make Time, their fifth full-length album. The sound navigated by the duo walks between classic indie rock and complements it with great influences from surf rock, lo-fi and alternative rock from the 90s with an excellent DIY punk aura. On their new album we can see that the brothers have never sounded so confident and mature, showing here an absolutely memorable evolution in relation to their previous works. Always very light and fun, Make Time to Make Time has just nine tracks and a short 23 minutes, but that's enough to create an impactful experience from start to finish. An extremely well-made indie rock, very pleasant and with excellent influences from beginning to end — Make Time to Make Time is the simple and direct indie rock that was missing in 2024.
Riveting Riffs Magazine
On the last day of May this year (2024), the California Rock band with the funky name Raised On TV released their eight record Make Time To Make Time, and Keaton Rogers, who formed the band with his brother Kacey Greenwood in 2016, walked the walk, by making time to make time to sit down with Riveting Riffs Magazine.
The album opens with “Just Wanted To Tell You,” from whose lines the album takes its title, a song that will have you dancing from the first few beats. The brothers Rogers and Greenwood are joined on electric bass by Blaine Billingsley.
“(The song) is about my wife. The lyrics, particularly the chorus is a love letter to my wife. It is a sentiment that is good to get across and to say. It is not strictly on one narrow path the whole time. I wrote the verses, while we were on the road. I think we were pulled over at a coffee shop or something and we were taking a minute. I had the chorus about my wife, and I liked that. I wanted to say that, and it was truthful. The verses I was still trying to figure out and the words just came. The verses have a story behind them, but the chorus is about my wife,” says Keaton Rogers, providing us with some insight about the song.
Historically bands from California, going back to the 1950s, has had a distinct flavor and we talked about that, before digging deeper into the sound of Raised On TV, “I would say it still does (have a distinct California sound), maybe not as much as it once did, if you go back to the Beach Boys and Surf Rock and The Ventures or the Laurel Canyon scene in the seventies. I think those times were more distinctly Californian, but I think if you fast forward to the ‘90s and the early 2000s there was a lot of Punk music and Rock Punk that was coming out of California. Green Day was one of the bigger bands. They had a California Punk sound that still kind of carries on. I would say there is still a California sound, but it can be hard to put your finger on it sometimes. It is definitely a thing, and it is definitely real,” he says.
He then muses if Raised On TV’s music has a California flavor, “Yes. I would say in some ways it does. I don’t strive for that, but I feel in some ways it is unavoidable. I have been told the way I play my guitar and that our (sound) has a California beachy sound for some of our stuff, not all of our music. Maybe a psychedelic sound in some ways that reminds people of California. I don’t know exactly why that is. Obviously, I grew up here and I am from here, so maybe there is this thing in our upbringing and our nature that comes out in the art that we make that we don’t fully understand, but it is there.”
Continuing Keaton Rogers notes, “Our music is eclectic, and it all comes down to Rock ‘N’ Roll. It definitely is not one style of Rock. It is Indie Rock or alternative Rock. I write the music for the most part. It reflects my life and my influences. I go back to The Beatles in some ways. As a kid they were among my favorites, as they were for so many people.
My love for The Beatles was the variety of music that they created, all the different styles and how they were almost fearless in a way and the styles they took on with how they wrote their songs. They started out in traditional Rock, and they branched out as they evolved. That is something that stuck with me and that I have always admired.
With Raised On TV I write from the heart, and I pull from influences and inspirations. At the end of the day, it is Rock, but (the music) is a lot more than that. It is music that represents my life and whatever moods and chapters I am going through. There are all kinds of ups and downs in there.”
The album was recorded at Whiskey Roads Studio. Well, that has an interesting story behind it, just like a song from another album, “Mr. Blue,” does as neither are what they might seem on the surface. More about that later.
“Whiskey Roads Studio, was a house that I rented at Joshua Tree and that we turned into a studio. It wasn’t an official studio, but that is what we called it, because Kacey, the drummer, at night would make these things that he called a Whiskey Road. It was Rocky Road ice cream with whiskey. It was just really weird and funny. We had a really great time, Kacey and with my cousin Blaine Billingsley playing bass. He is a great musician and really knowledgeable about recording.
We got all of our gear together and setup shop. Every day it was about waking up and getting right to it,” he says, acknowledging that they engineered the record themselves.
Let’s go back to where this all started.
“I grew up in the San Fernando Valley and pretty well every neighborhood you can think of in the San Fernando Valley we probably lived there. There are many valleys, but the San Ferando Valley is the one that people just call the Valley.
There definitely were a lot of other artistic people in our family. I grew up around music. My mom took us to a lot of concerts when we were young, my brother and my sister and me. She took us to Rock shows from a young age. My dad is also a musician and he taught me some stuff on the guitar. He got my first guitar for me, and he showed me some chords and then I took it from there. We definitely grew up around music in Los Angeles. My mom took us to a lot of the local clubs, and we would go to the bigger shows at the Hollywood Bowl and places like that. I feel very fortunate. (Editor’s note: I just feel very jealous – with a smile) We went to see Green Day when I was in middle school and also, we went to see The Who and the Foo Fighters,” he says.
It was when Keaton and Kacey were in their twenties that they decided to form Raised On TV and he explains how that came about, “We are six years apart, so he was about twenty and I was twenty-six when we started playing together. I however, had been playing music since I was in middle school. I was in and out of bands. Sometimes the bands were serious and sometimes they were just for fun. I played music all through high school and college. I didn’t get serious about playing in a band until I was twenty-six or twenty-seven. Kacey had just started playing the drums and he was eighteen or nineteen years old. We were in different bands. Both bands broke up at the same time and we thought how cool it would be if we started our own band together.
That is how Raised On TV started. It was something that we took seriously, and we wanted to do the best that we could. Now here we are.”
As for settling on the name Raised On TV, Keaton Rogers says, “At the time we were three guys that needed a new name for the band. We had just gone through some changes, so we decided to change our name. We came up with lists of names and every time a name was proposed, someone in the band hated it. Raised On TV came about from all of us growing up in LA, Kacey and I being child actors for a time and also watching TV when we were kids. That is what created the name. It was also the one name that we could all agree upon. Maybe not everyone loved it, but nobody hated it.”
Wait, let’s go back to your time as child actors.
“I did a lot of random things when I was age 10, 11, 12 and 13. I did commercials and small parts in a few movies. It was nothing too crazy. There was a movie called Geppetto that was a Pinocchio thing with Drew Carey. It was a made for TV movie with Drew Carey as Geppetto. Drew Carey was the nicest guy and I have great memories of being around him as a kid. That is one of the highlights from back then. Kacey did some random things too, commercials and it was all across the board really,” he recalls.
As a songwriter, Keaton Rogers is a machine. The band has pretty well turned out a new album each year. The music seems to just flow from him.
“For the most part yes. I go through times when it is hard to come up with stuff and I have writer’s block. I always pick up a guitar at some point during the day and I always have a notebook with me to jot down ideas. It always keeps me going. I tell people for me with songwriting is almost like putting a puzzle together. I am always collecting pieces from my life. It could be all kinds of things, something serious, something personal and emotional or it could be something random and frivolous. I collect these pieces and I put them together through the songs. When playing the guitar, I love to come up with riffs and chord progressions. I will record them, so I don’t forget. Some things will just stick with you, but with the recordings I make sure I remember everything.
Maybe I have a song that I started, but I am missing one verse and for whatever reason that one verse I don’t come across the words for it until a year later or two years later. It can be the same thing with a piece of music, that song has a great chorus, but it needs a bridge, and it may take me five years to figure out that bridge. As long as I keep all of these pieces floating around, I don’t lose anything. It is kind of random, as to how it gets done or when it gets done. All of that being said, you get lucky in a way, when you sit down, and you may come up with a whole song in an hour or a half hour and it all comes out at once.
I would say generally for me, it is a drawn out, random process in a lot of ways,” he says.
“Just Wanted To Tell You,” from the Make Time To Make Time, album is followed by the in your face Punkish Rock song “Without A Care,” that features thundering guitar riffs, by Keaton Rogers. This album is a testament to the versatility of his songwriting, as well as the excellent musicianship of his bandmates, with the more melodic, mid-tempo songs, “Back In The Sun,” and “The Wind And The Sea.” Billingsley on bass and Rogers on lead guitar compliment each other well, and Kacey Greenwood never overshadows, as some drummers do, but plays nicely in the pocket and lays down a strong foundation for each song. Whether it is a softer song or an in your face banging Rock song, Keaton Rogers’ pristine and wonderful vocals are always evident. Two of the prettier songs from this album complete the record, “Story Without An End,” and “Take Me Home.” You can preview the album Make Time To Make Time here and if you like the music, please take time to purchase it or if you prefer you can buy individual songs.
Full disclosure, the album Strangers In Pictures is our favorite album from Raised On TV. With that being said, we wanted Keaton Rogers to talk about the song, “Around The Sun.”
“For a time, I was working as a music teacher at a middle school here in LA and I would have my guitar with me a lot of the time. I was on a break at work, and I started played the main riff of that song, the main chord progression. I thought it was cool and I remembered and hung on to it. I started messing with it in the studio and I was (playing) some keyboard parts on top. I found some cool stuff to add into it that was a little more subtle. I made a track and showed it to Kacey.
We got some drums going on it. To get to the lyric I made a demo, and I would play it in my car. I would sing on top of the instrumental demo until I found words and ideas until I thought it was cool. That is how it came together. It was a multi-layered process. It started out as a basic song, while I was at work, at school and then it morphed into a fully fleshed out song with all of the parts. It was written at the tail end of the pandemic.
It is totally (autobiographical). The theme of the song, with the lyrics is about missing being on the road and playing shows. It was about that feeling during the pandemic and talking about playing as a band. It was during the pandemic and realizing how important it (touring) was in your life. We really longed for it and that feeling inspired those words.
The companion video for “Around The Sun,” is fun and yes it is very Californian.
Keaton Rogers talks about the video, “It was a super fun, random idea that I felt wouldn’t be too hard to make. It was super low budget. We just needed some costumes, and my wife is a costume designer, so she helped out with that, which is really cool. This was on Huntington Beach. We chose that, because it is one of the beaches where you can still legally have bonfires. It is a really huge beach, where you can get a spot where there are not a lot of people around. When you are trying to shoot something, it helps to have some privacy, without getting a permit or something.”
As for the title song, “Strangers In Pictures,” he says, “That came from an idea that I had in thinking about all of the pictures that we take throughout our lives and literally how all of these strangers are in the backgrounds of our most personal moments, whether it be a family trip or a romantic date. We just accept it. What does that mean? Does it connect us in some way, without us thinking about it. Is it something special or of note? I thought that was kind of interesting. I started that song on keyboards, and it is the only album that has a lot of keyboards. It was me. I recorded the guitar after the fact.”
As for the song “Losing My Mind,” he explains, “That is another song that was inspired by the pandemic. You feel like you are losing your mind, and you don’t have a grip on anything. You let on everything is okay, but you know it is just a lie. You do it to get through and to work it out. Eventually you do.”
You can preview Strangers In Pictures, the album, here.
In 2019 the band toured extensively in the United States and Canada, “It was amazing, and it was one of the best summers of our lives. We are super thankful that it happened, because it was the year before the pandemic. If we hadn’t done it that summer it would have been several years, before we were able to do it.
We toured the entire country, and it was our first time getting out to the east coast. We had been to Canada before, but we had only been to Vancouver. It was the first time getting out to Toronto and getting to Ottawa and Montreal. We went to so many cities that we had not been to before to play music and maybe not even have been to at all. It was our first time going to Chicago, North Carolina and South Carolina, Florida, New Orleans, parts of Texas. It was an extensive tour.
It was so much fun, and I think it made us closer as a band. It also put us face to face with why we do it. We realized we really do love the experience of traveling and playing music.”
There have been some interesting names for Raised On TV’s albums, the first two being named Season One and Season Two, Fernando, a nod to their growing up in the San Fernando Valley, and then there is the song “Mr. Blue,” from Strangers In Pictures.
Keaton Rogers, wades into the story behind Mr. Blue, carefully gauging the temperature of our conversation, “That story gets a little racier. The name Mr. Blue comes from a dildo that belonged to the mother of someone we knew. We saw it in the bathroom and Kacey, and I jokingly named it Mr. Blue. The story was funny and lived on. The song isn’t really about the dildo, but the name was kind of cool I thought. It is just one of those random songs and I thought the name “Mr. Blue,” was kind of cool.”
Have there been some surprises along the way, with your music career?
“Whiskey Road was a surprise to all of us. I never thought I would see a grown man pouring whiskey into his ice cream and then falling in love with it. (Laughing he says) Mr. Blue was definitely a surprise and we will never forget Mr. Blue. He is immortal now,” says Keaton Rogers.
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